Tamika Awards show lacks class

Andrew Clunis, Freelance Writer

THE ATTEMPT by Legacy Entertainment Group to stage a successful 12th annual Tamika Awards at the Beacon Theatre, in New York City failed. In fact, the organisers made an 'tasteless meal' of the affair, which showed potential as a classy event.

Testimony to this was host Pat McKay's attempt to solicit some positive energy from the crowd on a few occasions. When she asked, "Are you having a good time?" The response was a resounding 'No!'.

Legacy Entertainment Group took over the planning of the awards this year from its founder Clinton Lindsay and many thought and hoped there would have been a better showing. However, once again, the running-order was in tatters, awardees were either absent or late, as were the performers.

The hosts suffered from what now seems to be a chronic dysfunction in utilising the English Language. For example, one radio jock named 'Squeeze' in introducing Freddie McGregor said: "Here comes a man with over 20 years' experience, the infamous Freddie McGregor."

Other hosts, when they couldn't pronounce the names just didn't bother to call them and it became clear that there was either very little, or no dress rehearsal.

The event was used to promote upcoming events or 'big up' friends and one MC even called a peanut vendor on stage to dance.

The comedy went on through the night, but things turned sour for rap artiste Foxy Brown when she was called on stage to make a presentation. She was booed by the large audience and checks later revealed that the Jamaican community was not impressed with her 'popular' lifestyle.

The Beacon Theatre looked splendid for the occasion. With the techno lights bouncing off the giant bronze statues, the atmosphere became electric at times. The performances which were rehearsed were well presented, but the performers who were unprepared 'splashed mud' all over the Tamika Awards.

Ghost was awesome, as were Freddie McGregor and Half Pint. 'Female DJ Of The Year', Lady Saw had a good thing going, until she attempted to perform a song 'Best New Artiste', Lexxus. He capitalised on the enthusiasm of the crowd and called on his sidekick Kiprich.

Vegas and Sean Paul did well and Glen Washington performed creditably. Terry Linen sang his hits, while Morgan Heritage kept their reputation high. Beres Hammond and Buju Banton were the big winners of the night, walking away a couple of awards for Pull It Up, including 'Record Of The Year' and 'Combination Of The Year'.

Beenie Man was returned as 'Male DJ Of The Year' and Stone Love was further immortalised as 'Sound System Of The Year'.

Ken Boothe received a 'Lifetime Achievement' award, which presented by Consul General to New York, Dr. Basil Bryan.

Actor Paul Campbell proved to be a favourite in New York, walking out to tremendous applause as he presented an award. Buju Banton closed the show with two new tracks, accompanied by Lenky Marsden on piano and his full trio of back-up vocalists. He delivered a punchy tribute to slain African Amadou Diallo and in his next effort, beseeched the United Nations to help suffering people in Sudan.

At that point the lights came on and only then, did patrons realise the 'Tammies' had ended.

Despite the cursing and swearing which ensued, many still went off to the after-parties at various venues in the city.

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